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Vince Salpietro
TECHNIQUE SAMPLER
Scenic Art & Painting
(Ongoing)
![]() Cloudscape Floor ProcessA full-stage cloudscape for Tammy Faye's Final Audition. Painted off-site, then dismantled, delivered & installed for show run. Estimated work time: 30 hrs. | ![]() Inlaid marble floorFull stage inlaid marble floor pattern for "1984." Technique used a 3 color large scale paint spatter technique with a Hudson sprayed water and denatured alcohol displacement. Approximated solo work time: 18 hrs. | ![]() Calling All Kates Floor ProcessAbstract runway floor. Wet blend gradient base, abstract rolled geometry, Hudson spray gradient overlay, finished with perspective linework. | ![]() Marble ProcessFull-stage marble staircase unit for Santa Fe Opera's "Die Fledermaus." Process included 8ft pounce stencil patterns for consistency, sword strip brush veining, sponge & feature brushed detail, and many layers of ultra smooth high gloss varnish finish. | ![]() Percival von Schmootz Floor ProcessFloor treatment for 'The Enlightenment of Percival von Schmootz." Black gloss base with white array linework, blue Hudson spray varnish, wood blocked "crayon-drawing" inspired sun shape, finished with distressed gold leaf. |
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![]() Dune carving processCustom fitted & carved bead foam sand dunes finished with elastomeric, shredded cork, and an 8 part spatter color finish. For Santa Fe Opera's "Alcina" | ![]() Portrait ProcessActor portrait for "In The Next Room." | ![]() Percival von Schmootz Sun"Clockwork" style sun fly unit. Wood wash base with color blocking, finished with distressed gold leafing. | ![]() Percival Unit ProcessVarious units from 'The Enlightenment of Percival Von Schmootz.' | ![]() 12th Night WoodgrainIntermediate/Advanced woodgrain. Color matched to the on-stage piano finish, steps include hand-graining, check rolling, and various tinted glaze finishes. |
![]() Wood GrainVarious basic woodgrain techniques and samples. | ![]() Parquet Wood SampleWood sample and parquet pattern for "In The Next Room." The technique involved an intricate 3-color parquet pattern, and was based in a realistic texture coat in the matching pattern. | ![]() Floor ProcessParquet, tile, and hardwood planking process for "In The Next Room." Parquet floor involved base texture (in pattern) with 3 color wood finish. Pattern was broken down from reference for elevation using Adobe Illustrator. Tile work used 1/8" painters tape to mask the grout, and included a high gloss "ceramic" texture finish using denatured alcohol patina. | ![]() Wood Plank Floor28 sheets of masonite were pre-painted in various distressed wood textures, then cut down and installed on stage for "Twelfth Night." Process includes roller scumbles, assorted random glaze & drybrush, and wood-grain rocker tools. | ![]() Spanish Tile FloorCustom 2-color stencil (Adobe Illustrator, hand cut) for "Twelfth Night." |
![]() Linoleum floor. | ![]() Parquet_process24-part custom stencil, layout, and exaggerated faux woodgrain process. | ![]() Dancing at Lughnasa Floor ProcessOSB & luan planks washed to create interior hardwood and exterior abstract grass effects. | ![]() Carpet Stencil ProcessFull-stage staircase & ground cloth for Santa Fe Opera's "Die Fledermaus." Base coat included 2 color roller texture, spatter, topped with a 3 part main stencil and 2 part border stencil. | ![]() 70s Wallpaper3-color, 12 part custom 1970s wallpaper stencil with applied grunge. Designed in Adobe Illustrator (from reference) and cut using Cricut vinyl cutter. |
![]() Large Scale WallpaperCustom designed mirrored-mermaid nautical motif damask wallpaper stencil (Adobe Illustrator). Walls included multiple scales of the same repeat pattern: 4', 2', 1' to enhance the forced perspective angles of the set. | ![]() Translucent Wallpaper ProcessAfter applying translucent base coats with an HVLP gun and brushed distress washes, a 3-step custom vinyl-cut stencil was used to apply an opaque wallpaper pattern for backlit scrim interiors of "Intimate Apparel." | ![]() Skid Row Environmental SignageOver 30+ hand-painted advertisements & billboards hung above the set for Little Shop of Horrors. All at varying levels of distress and translated to black & white. | ![]() Master copyLarge scale studio master copy of Tamara de Lempicka painting. | ![]() Malthus PortraitPortrait of Thomas Malthus for Urinetown finale. Estimated work time: 12 hrs. |
![]() Angelica Banner4'x10' Baroque painting style prostitute advertisement for "The Rover" (modeled after actress). | ![]() Dressmaker Counter Graphic DesignCustom dressmaker counter display graphic design for The Ladies Man Act 2 (Adobe Illustrator, large format print). | ![]() Percival von Schmootz DropSoft good drop process for 'The Enlightenment of Percival von Schmootz." Full-stage muslin drop stretched, painted & distressed with translucent washes. | ![]() Scrim BackdropElevation and process on full-stage scrim backdrop for "Dancing at Lughnasa." Shark tooth scrim was pre-stretched & painted off-site and shipped for install. Estimated solo work time: 20 hrs. | ![]() Stucco Process24' wall distressed stucco & distressed plaster texture finish for Santa Fe Opera's "Alcina." |
![]() This Is Horror!! BillboardLooming above the Skid Row flower shop in Little Shop of Horrors, this 6x18' B-movie billboard served as a backdrop for song & dance sequences through the show. Estimated solo work time: 18 hrs. | ![]() Little Shop Exterior Wall ProcessDesigned to mimic the black & white illustrative style of the original B-Movie, full-scale brickwork was painted to look like graphite sketches. Set included matching techniques on solid & transparent scrim walls. |
Painting Techniques & Process
(Varying Locations)
A series of theatrical techniques, painting styles, and finishes.
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